Everything
All 22: every plug-in we make, plus S.A RACK.
199 Was 449
Creative effects and mixing tools for your next idea.
SALE
FEATURED

A push-pull valve stage does not sound like a single-ended one because its topology cancels even harmonics as a matter of algebra. A transformer saturates the bass before the treble because flux is the integral of voltage. A diode clipper has no closed-form transfer function at all.
SATURIFT models those things as the physical effects they are, so the differences between its eight models come out on their own, instead of having to be dialled in.
22 plugins
Three families. Creative processors that put something there, mixing tools that decide what to stop doing, and four decades of production character.
SALEThree-module parametric equaliser
SALECassette and tape machine emulation
SALEAlgorithmic reverb, ten modes
SALEDeterministic digital-corruption processor
SALEDynamic spectral unmasking
SALEGranular ambience processor
One family, four decades
Each is a complete period recording chain (preamp, console, tape, generation loss, ambience, movement and stereo convention) coordinated by one control, with every destination reachable as a signed offset behind it.
Bundles
Every bundle price and saving on this page is computed from the same product data the store checks out against.
All 22: every plug-in we make, plus S.A RACK.
199 Was 449
Build your own bundle: any 10 for less than 10 each. Or any three and pay for two: 58.
99 Was 290
All twenty-one processors in one plug-in, chained and recalled as a single insert.
99 Was 199
Build your bundle
Choose any 10 plug-ins from the catalogue. Or any three and pay for two: 58.
Start buildingAll twenty-one plus S.A RACK is the Complete Collection, 199 instead of 708.
Why this exists
Most audio software asks you to take its word for it.
We build plugins the same way we would build a measurement instrument: state the mechanism, implement it honestly, measure what came out, and publish the number. When something does not work, that goes in the documentation too: our reverb once reported its damping filters as free, a second measurement showed the benchmark had timed two settings that both ran them, and the 13 ns per sample they really cost went into the notes.
That is not a marketing position. It is the only way to make a saturation model sound like the circuit it describes instead of like a curve someone liked, and it is why the eight models in SATURIFT differ from each other without anyone having to dial the differences in.
Every plugin here has a test suite that runs in about a second, because the DSP has no plugin-framework dependency at all. Every figure on this site comes out of one of them.