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FEATURED

SATURIFT

SATURIFT on TRIODE with the TONE section away from flat (low cut at 240 Hz, high cut at 6 kHz, presence and air raised) and the spectrum trace spanning the SPECTRUM / TRANSFER display below.

Eight circuits. Eight mechanisms.
One decision.

A push-pull valve stage does not sound like a single-ended one because its topology cancels even harmonics as a matter of algebra. A transformer saturates the bass before the treble because flux is the integral of voltage. A diode clipper has no closed-form transfer function at all.

SATURIFT models those things as the physical effects they are, so the differences between its eight models come out on their own, instead of having to be dialled in.

Saturation models
8
Factory presets
85
Latency at 44.1 kHz
68 samples
Null at Mix = 0
exact
View SATURIFT29 Was 49

One family, four decades

The Magic Collection

Each is a complete period recording chain (preamp, console, tape, generation loss, ambience, movement and stereo convention) coordinated by one control, with every destination reachable as a signed offset behind it.

Bundles

Buy the shelf, not the box

Every bundle price and saving on this page is computed from the same product data the store checks out against.

Pick 10 plug-ins

Build your own bundle: any 10 for less than 10 each. Or any three and pay for two: 58.

99 Was 290

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S.A RACK

All twenty-one processors in one plug-in, chained and recalled as a single insert.

99 Was 199

See S.A RACK

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Get 10 for 99

Choose any 10 plug-ins from the catalogue. Or any three and pay for two: 58.

Start building

All twenty-one plus S.A RACK is the Complete Collection, 199 instead of 708.

Why this exists

Most audio software asks you to take its word for it.

We build plugins the same way we would build a measurement instrument: state the mechanism, implement it honestly, measure what came out, and publish the number. When something does not work, that goes in the documentation too: our reverb once reported its damping filters as free, a second measurement showed the benchmark had timed two settings that both ran them, and the 13 ns per sample they really cost went into the notes.

That is not a marketing position. It is the only way to make a saturation model sound like the circuit it describes instead of like a curve someone liked, and it is why the eight models in SATURIFT differ from each other without anyone having to dial the differences in.

Every plugin here has a test suite that runs in about a second, because the DSP has no plugin-framework dependency at all. Every figure on this site comes out of one of them.

More about how these are built