BLACK FRIDAY

SALE

Every plug-in 29. S.A RACK 99. All 22 for 199.

Explore the deals Build your bundle

Everything

All 22: every plug-in we make, plus S.A RACK.

199 Was ~~449~~

Pick 10 plug-ins

Build your own bundle: any 10 for less than 10 each. Or any three and pay for two: 58.

99 Was ~~290~~

Build my bundle

S.A RACK

All twenty-one processors in one plug-in, chained and recalled as a single insert.

99 Was ~~199~~

SALE

Every plug-in

The SATURIFT interface: eight saturation model cards across the top with circuit diagrams, drive and shape knob rows, a tone section, and a HEAT meter with spectrum display on the right.

Creative Effects29 49

SATURIFT

Multi-topology analogue saturation

The TAPERECALL interface: a cassette deck chassis with two VU meters, a visible tape transport with reels, rows of knobs for tape, saturation, wow and flutter, dropouts and noise, and transport keys along the footer.

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TAPERECALL

Cassette and tape machine emulation

The VALVEFRAME cabinet page: a two-by-twelve speaker cabinet drawn in perspective with three microphones placed against it, above three mic slots each with its own model, position, distance, level and pan controls, and the signal chain along the footer.

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VALVEFRAME

Amp and cabinet simulator for guitar and bass

The VOID:SPACE interface: a collage panel built around an archway opening onto an eclipsed sky, with pre-delay, size and diffusion sliders and a pair of early and late dials down the left, drive, crystalize and tape controls on the right, and decay and mix sliders across the footer.

Creative Effects29 39

VOID:SPACE

Algorithmic reverb, ten modes

The GRAINFREEZE interface: a collage panel with a starfield display of drifting grains reading out grain count, depth, decay and cloud, a four-climate pad from Ice Cave to Blizzard beside it, and Ice Cloud, Grains, Crystal, Motion, Space & Tone and Output sections beneath.

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GRAINFREEZE

Granular ambience processor

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ECHOBRIGADE

Analogue-modelled evolving delay

The CHRONOSLIP interface: a gradient header over a time memory display marked from eight seconds ago to now, above three lit panels (MEMORY in green, TIMEFIELD in amber and SPACE in violet) with a row of capture, overdub, reverse, hold, freeze, clear, mutate and restore buttons beneath, and advanced and modulation drawers below that.

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CHRONOSLIP

Granular time manipulation and space

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BITRUPTURE

Deterministic digital-corruption processor

The FXWEAVE interface on its The Weave preset: the octaver, chorus and phaser panels side by side in pink, cyan and yellow, all three switched on, with the octaver at −12 semitones, the chorus in Mode II, the phaser at 8 stages, and input and output meters either side.

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FXWEAVE

Octaver, chorus and phaser

The EQDRIFT interface in its blue Glassline design: a full-width EQ curve over a soft spectrum analyser, numbered band nodes along the curve with one band's card open for shape, stereo mode, frequency, gain and Q, and a slim header with CLASSIC, SPECTRUM and TRACK, phase mode, oversampling, delta, auto gain and help.

EQDRIFT

Three-module parametric equaliser

The FREQDIVER interface with its advanced panel open: a spectral display carrying the priority mask over the main signal inside a blue op-art border, Amount, Dive, Attack, Release and Mix knobs, and divergence, sensitivity and learning rows beneath.

FREQDIVER

Dynamic spectral unmasking

The STEREOBLOOM interface on its MIX BUS Wider preset: a width-by-frequency display with the MID band tinted violet and its output curve above the input, a stereo field with goniometer, meters and a correlation of +0.66, and IMAGE, BANDS and PROTECTION panels of knobs below.

STEREOBLOOM

Three-band stereo imager

The PITCHVECTOR interface: an illustrated panel of faces and planets around a large circular pitch display reading minus fifty to plus fifty, with vocal range, key, scale and preset selectors above and an EDIT button below.

PITCHVECTOR

Real-time pitch correction

V-PRESS

One-knob compressor, built vocal-first

The GLASSCUT interface: a cream chassis with a sibilance spectrum analyser showing the detected band, a movable optical bench drawing a beam through a prism across it, four meters on the right, and eight coloured control panels for threshold, max cut, sensitivity, mode, sharpness, mix, input and output.

GLASSCUT

Spectral-contour de-esser, breath reduction

The PULSEDUCK interface: a large ducking curve display with draggable control points, a trigger mode selector, and crossover and depth controls.

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PULSEDUCK

Rhythmic ducking and sidechain shaping

The STEPVEIL interface: a step grid with per-step level bars and a running playhead, pattern slot selectors, and seven control sections beneath: timing, shape, stereo, variation, output, filter and smooth, beside the gate display.

Mix ToolsFree 29

STEPVEIL

Step-sequenced rhythmic gate

The MAGIC:60 interface: a psychedelic panel of paisley and flower artwork around an ornate figure six, with one oversized MAGIC dial reading 38 at its centre, Style, Era and Format selectors along the top, Dry Below and Dry Above knobs either side, and input, mix, output and generations controls beneath.

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MAGIC:60

One-knob 1960s production character

The MAGIC:70 interface: a cream panel with an illustrated sunset and layered waves behind a large red figure seven, a MAGIC dial reading 30 per cent in Warm Studio, Style, Era and Tape selectors, meters down both sides, and input, mix and output knobs.

Magic Series29 39

MAGIC:70

One-knob 1970s production character

The MAGIC:80 interface: a pastel synthwave panel with a chrome 80 beside one oversized MAGIC dial, Style and Authenticity selectors, Dry Below and Dry Above, Input, Mix and Output knobs, and meters either side.

Magic Series29 39

MAGIC:80

One-knob 1980s production character

The MAGIC:90 interface: a torn-paper collage panel in red, cream and slate behind a large figure nine, a MAGIC dial reading 35 at the centre, Style and Authenticity selectors along the top, meters down both sides, and input, mix and output knobs.

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MAGIC:90

One-knob 1990s production character